


Format: Performance
Year: 2026
Materials: 8-channel audio, red brush, black sand, white book
Duration: 13:38 Min
I was almost asleep, when the thought of a recording I made with a Sony voice recorder at the end of 2008 came to me. Back then, I created a rough cut and used it to apply to study Music and Media Art at HKB in 2009. I do not remember thinking about it ever since.
The next day, I searched for this recording and was surprised to find the rough cut. There was a strange euphoric feeling of being transported to this time, 18 years ago, to the same room with my mother and my grandmother.
This recording is the starting point for a work exploring acoustic memory and the calling of ghosts.
Kaserne Papiermühle in Bern, part of the Symposium "Translocal Spaces Between Listening, Ecology and Sound Art", CH
Huge thank you to Dr. Michael Harenberg and Samuel Gfeller.

Format: Performance
Year: 2026
Materials: 8-channel audio, red brush, black sand, white book
Duration: 13:38 Min
I was almost asleep, when the thought of a recording I made with a Sony voice recorder at the end of 2008 came to me. Back then, I created a rough cut and used it to apply to study Music and Media Art at HKB in 2009. I do not remember thinking about it ever since.
The next day, I searched for this recording and was surprised to find the rough cut. There was a strange euphoric feeling of being transported to this time, 18 years ago, to the same room with my mother and my grandmother.
This recording is the starting point for a work exploring acoustic memory and the calling of ghosts.
Kaserne Papiermühle in Bern, part of the Symposium "Translocal Spaces Between Listening, Ecology and Sound Art", CH
Huge thank you to Dr. Michael Harenberg and Samuel Gfeller.







